Security would not allow photos of the tapestry of forest just next to the parking lot outside the prison, but we already did. Think about those on the other side of the barbed wire and don’t feel restricted.
Julien, a 30-something with dark plastic glasses, a hat and a piercing on his lower lip was ahead of our concert. He could have not missed his chance to use a real grand piano (as he never even saw one until this sunny afternoon). Now Julien was busy playing Bach and Mozart compositions on it. He did not bother asking for permission. He just walked into the gym and went straight to the instrument – Esmonde-White Grand Piano. All of us, including Lukas were quite astonished. It was not about how he played, rather that he played at all and that he enjoyed it. He never took lessons or owned an instrument or read notes. He played “from his ear”. Actually, he did not give a damn about who was around him. He will be paroled in January and has promised to reach out then.
He then sat in the front row next to an inmate, who would not be paroled after 42 years of incarceration and, as his neighbor and another several dozen in the audience, would not move throughout the entire performance.
Julien’s “recital” was a shock, a gift, a delight, and a discovery. No one laughed. Professional filmmakers would have envied the unfolding scenario. It was now Lukas’ turn to take full possession of the instrument.
English is not very popular in this part of Canada and neither of us spoke French, except our grand piano, which was manufactured and delivered in Quebec and which was outstanding. Maybe that’s why Drummond in October did not seem to be as friendly and hospitable as Archambault in April. We felt that we imposed ourselves on our hosts. Mel Brooks would have shot the legendary episode of Dr. Frankenstein’s arrival to his horrific grandfather’s castle in Transylvania (from “Young Frankenstein”) in Drummond. Doctor and his entourage did not expect to be “welcomed” by Frau Blucher…. We were fortunate to have Oliver Esmond White with us, who kindly agreed to translate and thus much improved my clumsy traditional introduction.
It wasn’t funny. Confused and stressed out we were awaiting inmates in the gym, which was set up for about 100 of them (according to our hostess, 90 signed up) and about 60 showed up. There some other people in the gym – half a dozen of ladies (we did not dare to ask who they were and none of them stayed behind to talk to us, when it was over). We were told to get started without being introduced and had to obey the order. The performance began.
Lukas played Chopin, Prokofiev, Ravel, and Desyatnikov. Inmates were listening extremely well (as usual); some of them – without fidgeting or movement, almost breathlessly. Unfortunately, humble inmates positioned themselves in a circle (front and back rows were filled, but the middle of the hall was empty). It was an incredibly awkward place to perform, but Lukas did his best and the audience reacted accordingly. A few questions were asked during the event, but not as many as usual. About a dozen of inmates came to us with feedback forms and with their thanks – they seemed emotional and sincere. This was our prize and our win. Our time was up. We felt we had to go and to go quickly.
Our second Quebec performance is now history. Lessons learned will make our next return to Drummond much more rewarding and fulfilling – sign up for our email newsletter!
The Grand Yamaha is delivered and tuned by Mr. Gerald from Piano Esmonde White – our new partners from Montreal. We will spend 5 incredible hours the next day in Montreal with their unique leader – a piano inventor-scientist-researcher-visionary, Mr. Oliver Esmonde White and his team. Our partnership will not be about piano rentals. It will be about the future of the instrument.
In the meantime, Cathy Galineau, Warden, welcomes our quartet and speaks about her remarkable career at CSC, about Collins Bay and about her love of classical music. As every good musician before the concert, Barry Shiffman is freezing and Cathy graciously brings several portable heaters and rescues the Event.
Inmate Committee members are setting up refreshments. The performance is taking place in the prison area, which serves as the inmates and visitors meeting space. It is relatively cozy and perfectly suits the chamber performance.
About 60 inmates and half a dozen volunteers as well as the prison chaplain fill the hall. The performance starts with traditional inspirational, but a bit too long of a speech from Dmitri. Then Barry Shiffman takes over and music of Brahms, Bruch, Part, Prokofiev, and others fill the hall. Inmates gradually relax and questions to performers follow. Inmates speak about their feelings, childhood memories, classical music, composers. Musicians are surprised and inspired. They each tell their story about becoming musicians. Each story is different. Yolanda wanted to calm her brother down and could not think of a better way, than to use a violin. The performers did not expect such profound and honest reactions from the audience. Musicians will later tell me, that they have never experienced such profound joy and satisfaction, never in 22 years of professional career, according to Joseph Johnson.
No photo taking, no video shooting. No audit trail of hope, joy and optimism on the faces of the inmates. Such are CSC rules. We understand and respect them. But rules and … “laws must change,” as per legendary blues guitarist John Mayall (title song from 1969 LP “The Turning Point). One day, perhaps…
Stan finishes his painting – a flying keyboard in a tapestry of colours – sounds, emotions perhaps? Painting will stay behind – it is the property of the Inmate Committee now..
Live interaction between all parties takes place – cookies and soft drinks are being served by the Inmate Committee Chairman himself. Inmates speak with musicians. Musicians do not want to leave. Who can distinguish a visitor from a resident? The walls of the prison and the walls dividing two parties seem to disappear.
We are leaving, but a small group of inmates are staying behind. They are looking at the stars.
Looking at the Stars Foundation is presenting a very special musical gift to Syrian refugees on Sunday, October 15, 2017, at 7:30 p.m. The concert will be presented in the Social Hall at the Ismaili Centre, 49 Wynford Dr, North York, ON. Donations gratefully accepted to support this exciting project. Visit http://lookingatthestars.org/donate/ for more information.
April 21, 7 pm.
Last Stop. Back to Ontario. We are now aware that we will have to compete with Leafs again, fighting the Capitals, but we are better equipped to win: we have Igor Gefter with his cello teaming up with Lukas, Bob Rae our Chairman and his wife Arlene in the audience and Warden, Larry Ringler, – our first host at CSC, a former acting Warden from Bath, and Nancy Pearson, Assistant Warden, who was instrumental in preparing the event. The gym is packed with inmates and staff (again).
Lukas and Igor present a sparkling program of chamber and solo performances, enticing the audience of about 75 inmates. Musicians shared insights and stories about the music they presented. The classical repertoire included works by Bach, Rachmaninoff, Prokofiev, Chopin, Bruch, and several contemporary composers. Inmates and numerous staff listened carefully despite the infrequent, but thought-provoking commentary by Dmitri, who continues to believe in Oscar Wilde’s observation that “…we are all in the gutter, but some of us are looking at the stars.”
Then came an encore – a colourful piece by an Armenian composer, and to finish, in contrast – a simple and peaceful yet extremely powerful melody by a Lithuanian composer, performed by Lukas with a special dedication and sentiment to his heritage. Our only hope was for a cautious optimism to be planted in the gym that night. The following extensive communication and interaction between inmates, musicians and guests seemed to emphasize the success of building bridges among all of the participants. Lukas’s CDs are presented to many of the inmates and CSC staff. Another challenging question from one of the inmates, “Many of us here are wrongfully convicted; how can we find justice?” Leafs lost again in OT (1:2).
Event photo gallery coming soon.
April 20, 6:30 pm
Second Stop. Our first event in Quebec. We were warned that our Event will again compete with another Stanley Cup play off game between the Canadiens and Rangers but we took the risk. The event started at 6:30 p.m. with Warden, Julie Cobb, and Biil Rasmus, CSC National Headquarters present. We wanted to have at least 30 minutes before the game started to give people an option to check us out.
Lukas opened with Moonlight Sonata in memory of the inmate from Bath. The audience of about 25 inmates remained seated, when Dmitri offered to swap the Event for TV at 7:00 p.m. The Event continued with Stan Harwood at the easel, creating his first-in-prison painting, inspired by the atmosphere of genuine interest and concentration of the double-captive audience on one side and passionate illuminating performance by Lukas (he was absolutely at his best this evening) at a Yamaha Grand piano on the other. The event has suddenly turned into a colourful universe of sound, colour and reflection, taking the inmates away from the prison gym, away from the institution.
And not only inmates – prison staff, too, which was a new and unexpectedly gratifying discovery. Stan donated the painting to the Inmate Committee Chairman during the communication session with inmates, most of whom were about to be paroled. At one point during the post-concert conversation, an inmate approached me to ask, “Mr. Kanovich, I am an IT professional – can I call you after I am out in 3 months time?” Although I had no answer for him, it was encouraging to hear inmates considering a productive future. Canadiens were once again defeated by Rangers in the OT (1:2).
We also received this very moving testimonial from our Artist of the Evening, Mr. Stan Harwood:
Just a few words my experience with you and the team at Archambault Institution on April 20th, 2017.
The blended formation of fine piano works and spontaneous art creation will resonate with me for some time. I consider it a privilege to perform together with Lukas to create this live spectacle.
The positive comments expressed by the inmates affirms that art creation is an effective outreach. If just one of the inmates takes up a brush so that they too can express themselves in a healthy manner, then I would hold this to be a breakthrough performance. And as such, would serve as a high form of affirmation that my art not only offers a visual appeal, but does touch the soul. No artist could ask for more.
As I explained to the audience, abstract art forms have the unique capacity to evoke our emotional makeup. We should permit the artwork to prompt us to ask how we feel as opposed to what the art work might be. This is the essence of abstract, to incite an emotional response.
Please count me in to take part in this team outreach again.
April 19, 7 pm
First stop. A return to Bath, to the audience of our historic December 2015 first CSC event was very meaningful and emotional. We did not think/know that we would compete with the Stanley Cup play off happening at the same time. There were at least twice as many people in the gym (around 80) compared to what we had at the chapel a year and a half ago. Warden, Kathy Hinch, and Assistant Warden, Gord Zuber, were both present.
Lukas opened a 70-minute program by calling on an inmate, who in 2015 requested a special encore (Beethoven’s Moonlight Sonata). There was no answer. We were told later that the inmate had passed away a month previous. Another inmate – the author of the anonymous letter expressing the depth of the impact that our first event had on his life – identified himself during the post-event communications session.
One of many questions I got that night was, “Mr. Kanovich, I will be paroled in 3 weeks after serving 31 years. Where do I go and what should I do?” Regretfully, I had no answer for him. Stanley Cup play off game between the Maple Leafs and Capitals failed twice that evening – it did not impact inmates attendance of our little event (we had a full house) and ended in the Leafs defeat (4:5).
“Lukas Geniusas placed second at the Chopin International Competition in 2010, and again at the Tchaikovsky in 2015. Whatever the value of those judgments, Geniusas (the name is pronounced with a hard G, ‘GEN-yu-shas’) made a spectacular Washington debut Sunday at the Phillips Collection.
“The young Russian blew past the first benchmark to meet, technical prowess, with an explosive rendition of Bartok’s ‘Three Burlesques.’ His ‘Quarrel’ movement was vituperative, but the other two movements were more than virtuosic, the ‘Slightly Tipsy’ movement drenched in swirling color and the ‘Capriccioso’ lost in a daydream.
We are pleased to announce our Spring Series 2017. These new musical gifts continue our focus on Correctional Services Canada events, which had such a positive impact in 2016.
Click the name of the venue to view the musical programme for each event.
We thank Pinnacle Music Studios (Belleville) for supplying Yamaha grand pianos for the Bath and Warkworth events. We are also grateful to Piano Heritage (Laval) for providing a Yamaha grand piano for the Archambault performance.
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